Uncategorized Archives - 108 Divya Desams

The Divine Abode of Sri Sita Ramachandra Swami

A Temple Beyond Worship

From time immemorial, temples in India have served as much more than places of worship. They have been centers of learning, culture, spirituality, and community life. In ancient times, temples functioned as institutions of education, preserving and propagating knowledge, arts, music, dance, architecture, medicine, and sacred scriptures. They were vibrant hubs where spiritual wisdom and cultural heritage flourished.

Continuing this timeless tradition, Divya Saketam, located within the sacred precincts of Jeeyar Asram at Sri Ramanagaram, Muchintal, about 40 kilometers from Hyderabad, stands as a magnificent spiritual and cultural landmark dedicated to Sri Sita Ramachandra Swamy.

The Significance of “Saketa”

The name Saketa is one of the ancient names of Ayodhya, the divine kingdom of Lord Sri Rama. “Saketa Rama” refers to Lord Rama as the eternal ruler and resident of this sacred abode.

Inspired by the divine glory of Ayodhya and the virtues of Sri Rama, Divya Saketam was envisioned as a spiritual destination where devotees can experience the presence of the Lord in His various divine manifestations.

Legacy of HH Pedda Jeeyar Swamiji

The inspiration behind Divya Saketam can be traced to the life and teachings of Sri Sri Sri Tridandi Srimannarayana Ramanuja Jeeyar Swamiji, affectionately known as Pedda Jeeyar Swamiji.

Born on September 1, 1909, in Kakinada, Andhra Pradesh, HH Pedda Jeeyar Swamiji was an ardent devotee of Lord Kodanda Rama. Throughout His life, He tirelessly propagated the message of Sri Ramanujacharya—universal brotherhood, compassion, and spiritual upliftment.

He organized 108 Rama Krathu Yagnas and established 108 Sri Rama Stupas across India and Nepal. Revered for His profound scholarship, He delivered enlightening discourses on Divya Prabandham and was proficient in multiple languages.

On Vaikunta Dwadasi, December 31, 1979, while immersed in meditation upon Srimannarayana, HH Pedda Jeeyar Swamiji attained the divine abode of Sri Vaikuntam. His Brindavanam is located at Nadigaddapalem, Andhra Pradesh.

A Tribute by HH Chinna Jeeyar Swamiji

To honor the unwavering devotion of His revered Guru towards Lord Kodanda Rama, HH Chinna Jeeyar Swamiji established temples dedicated to Sri Rama at Seethanagaram near Vijayawada and Divya Saketam at Sri Ramanagaram, Muchintal.

For HH Chinna Jeeyar Swamiji, Lord Kodanda Rama is the most cherished and worshipful deity. Divya Saketam stands as a living tribute to the Guru-parampara and the eternal values exemplified by Sri Rama.

A Unique Three-Tier Divine Temple

One of the most remarkable features of Divya Saketam is its unique three-tier architectural design, allowing devotees to worship three sacred manifestations of Lord Vishnu within a single temple complex.

First Level – Sri Kodanda Rama

The ground level houses the majestic Sri Kodanda Rama, accompanied by Sita Devi and Lakshmana Swamy. Standing in reverence opposite the sanctum is Sri Hanuman, the embodiment of devotion and service.

The temple also features beautifully sculpted vigrahas of revered acharyas and saints including:

HH Pedda Jeeyar Swamiji
Sri Manavala Mamunigal
Sri Bhagavad Ramanujacharya
Sri Vishwaksena
Sri Nammalwar
Sri Periyalwar
Sri Thirumangai Alwar

These sacred personalities continue to inspire generations through their teachings and devotion.

Second Level – Sri Ranganatha Swamy

The second level enshrines Sri Ranganatha Swamy in His divine reclining posture, accompanied by Sri Devi and Bhu Devi.

Additional shrines on this level include:

Saketa Lakshmi
Goda Devi (Andal)
Rangamannar
Garuda Alwar

This level recreates the divine atmosphere associated with the sacred temples of Sri Ranganatha.

Third Level – Sri Vaikunthanatha Swamy

At the highest level resides Sri Vaikunthanatha Swamy, accompanied by Sri Devi, Bhu Devi, and Neela Devi.

This sanctum represents the supreme celestial abode of Srimannarayana, offering devotees a glimpse of the divine Vaikuntam itself.

The Divine Connection Between Rama, Ranganatha, and Vaikunthanatha .

According to tradition, during His incarnation as Sri Rama in Treta Yuga, the family deity worshipped by Lord Rama was Sri Ranganatha Swamy.

Sri Vaikuntanatha is regarded as the original transcendental form from which Sri Ranganatha manifests.

With this profound theological connection in mind, HH Chinna Jeeyar Swamiji envisioned Divya Saketam as a sacred space where devotees could worship Sri Kodanda Rama, Sri Ranganatha, and Sri Vaikuntanatha together in one temple, thereby experiencing the complete divine continuum of the Lord’s manifestations.

Sacred Salagrama Ranganatha .

A unique feature of Divya Saketam is the divine form of Sri Ranganatha Swamy, whose sacred body has been constituted using Salagramas collected from all the 108 Divya Desams.

It is believed that worshipping Sri Ranganatha at Divya Saketam bestows the spiritual merit equivalent to worshipping Lord Vishnu in all the 108 Divya Desams.

The Majestic Sri Vimanam .

Crowning the sanctum is the sacred Sri Vimanam, an exquisitely designed eight-sided dome known as the Ashtanga Vimanam.

In temple architecture, the Vimanam symbolizes the cosmic mountain connecting Earth and the Divine Realm. It serves as the spiritual axis linking devotees with the celestial abode of the Lord.

Each of the eight facets of the Sri Vimanam is adorned with one syllable of the sacred Narayana Ashtakshari Mantra, making it both an architectural marvel and a profound spiritual symbol.

Above the temple tower shines the divine Sudarshana Chakra, symbolizing the Lord’s protection and grace.

A Sanctuary of Serenity .

Surrounded by lush greenery, aromatic plantations, and a spacious Yagnasala, Divya Saketam offers devotees an atmosphere of tranquility and spiritual elevation.

The temple was consecrated on May 7, 2009, and has since become a cherished pilgrimage destination attracting devotees from across the world.

Daily Worship and Spiritual Activities .

Divya Saketam is vibrant with daily spiritual activities and sacred rituals, including:

Suprabhata Seva
Sahasranama Archana
Sudarshana Homam
Kalyanotsavam
Valmiki Ramayana Parayanam
Divya Prabandham Parayanam
Vishnu Purana Parayanam

These daily observances ensure that the temple remains a living center of devotion, learning, and spiritual practice.

Daily Worship and Spiritual Activities .

Among all festivals celebrated at Divya Saketam, Vaikuntha Ekadashi (Mukkoti Ekadashi) occupies a special place.

A unique feature of the celebrations is the symbolic representation of the Seven Spiritual Gates (Sapta Prakaras) that a soul traverses on its journey toward the Divine.

Devotees pass through these sacred gateways before entering the Uttara Dwaram (Northern Gate) of the temple, symbolizing entry into Lord Vishnu’s eternal abode.

It is traditionally believed that circumambulating the temple prakaram at Divya Saketam bestows the merit of worshipping all the 108 Divya Desams.

Gateway to the Statue of Equality

Just a short distance from Divya Saketam stands the magnificent 216-foot Statue of Equality, dedicated to Bhagavad Ramanujacharya, one of India’s greatest philosophers, reformers, and spiritual visionaries.

The Statue of Equality commemorates Ramanujacharya’s timeless message of equality, devotion, inclusiveness, and universal welfare.

After receiving the blessings of Sri Sita Ramachandra Swamy at Divya Saketam, devotees often proceed to visit the 108 Divya Desams and the grand Statue of Equality, completing a spiritually fulfilling pilgrimage experience.

A Living Spiritual Heritage

Divya Saketam is more than a temple—it is a sacred confluence of devotion, philosophy, architecture, and tradition. It embodies the eternal teachings of Sri Rama, the compassion of the Acharyas, and the inclusive vision of Bhagavad Ramanujacharya.

For every devotee who enters its sacred precincts, Divya Saketam offers not merely darshan, but a transformative spiritual journey toward peace, devotion, and divine grace.

God’s Pledge

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When making a promise, people tend to use nature as a witness to strengthen their vow for the sake of the beneficiaries so that they do not stay in false belief. For example, I swear with Mother Earth as the witness or the fire as the witness..! Lord also pledged using natural elements as witness to put an end to a debate with a stubborn che:thana, sentient being. Let’s see what the debate is about!

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thvam me: ham me: kuthasthath thadapi kutha idam ve:damu:la prama:na:th
e:thaccha:na:di siddha:danubhava vibhava:ttharhi sa:kro:sa e:va |
kva:kro:saha kasya gi:tha:dishu mama vidithaha kro:tha sa:kshi: sudhi: sya:th
hantathvathpakshapa:thi: sa ithi nrukala he:mrugyamadhya sthvaththvam ||

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God: Thvam me: (You are mine)

Stubborn jiva: Aham me: (I am independent, I belong to me)

God: How is that possible?

Stubborn jiva: How can you claim your statement?

God: The eternal Vedas

Stubborn jiva: My claim is based on my experiences from the beginning of time

God: That claim of yours has been repudiated

Stubborn jiva: Where, and by who?

God: In Githa by Me!

Stubborn jiva: Any witness?

God: Yes, wise men with clear mind

Stubborn jiva: They are partial to you

God: Once for all, I pledge with wet clothes and thulasi that you belong to Me, I am always with You! Don’t go away from the truth and get into troubles…

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48 days passed since the consecration event of the 108 divya desams, the divine places where alwars took darshan of God and sang the glory of God. The above part of the prayer chanted by the priests during the abhishekam must remind everyone of how God is taking a pledge to bestow us with the confidence of His glorious presence and support for every jiva, be it stubborn or submissive...

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Self-check
Is there a bit of the same stubbornness in you?

If so, is it time to look at the beautifully eternal form of the Lord adorned in Thulasi, Turmeric on Wet Clothes, trust in His pledge and experience the grace?

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– Divyadesams
Statue of Equality, Hyderabad

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108 Divyadesams Mandalaabhishekam Photos

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Day 1

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Day 2

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Day 3

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Day 4

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Who do you idolize?

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To idolize is to admire, revere, or love greatly or excessively as much as one would worship God. Some people idolize great sportsmen, some idolize great writers, some idolize scientists, some idolize true leaders, some idolize doctors etc. Who do you idolize? Who are you inspired from?

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Ramanujacharya, an epitome of Equality found his inspiration from 108 centres called divyade:sas. The history of each centre connected him to the fundamental truths of existence deeply, thus enriching him to be an ideal and most revered a:cha:rya.

He was inspired by God and His utmost compassion at the 108 centres, thereby seeing everyone and everything in the existence as a part of a universal family.

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Here’s an update on the making of the deities of the 108 centres of inspiration at Statue of Equality:

✦ Honey-based wax models

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honey wax and proportionate amounts of guggilam, a natural herb together produce a substance called honey-based wax
wax models are made using the honey-based wax based on drawings from our sthapathy team, the design team who are guided by a:gama scripture, temple science specialists
the models were then presented to a:cha:rya, HH Chinna Jeeyar Swamiji for approval

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✦ Layering for 14 days

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mud is procured and prepared as a thin layer
it is first beaten to soften, then mixed with water and filtered using thin cloth to eliminate unwanted hard content, and further powdered to dust
the approved honey-based wax models from step 1 are then covered in a thin layer by this specially prepared mud
they are then stored in shade
this process repeated for 14 days, forming 14 such thin layers on the honey-based wax models

✦ Mould making

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after 14 days, the layered wax models are heated with fire sparks from burning charcoal
the wax melts and the mud layers are hardened because of the heat
the desired moulds of the deities are now ready

✦ Panchalo:ha, five metals

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necessary quantities of five metals: copper, brass, gold, silver, tin are procured to make panchalo:ha deities
a mud-based vessel is gradually heated to 1000 degrees centigrade at which copper melts; the rest of the metals melt at lower temperatures
the resulting fluid of the five metals is poured into the pre-heated mud moulds uniformly

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the following day, the layered mud moulds are broken giving rise to panchalo:ha deities
in-house sthapathy team, design team performs a quick check
the panchalo:ha deities are now ready for Swamiji’s final approval the deities are then ready for the next step during the consecration event of a temple

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The entire process requires extremely intricate work of a sculptor coupled with skilled craftsmanship on metal-work. This work has begun in Kumbhakonam and Thirupathi in the early stages. It has been shifted to onsite at Statue of Equality premises. The entire team are currently residing at the premises to accommodate easy guidance, follow up and togetherness of each working member in this beautiful centre in making.

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HH Chinna Jeeyar Swamiji visited the premises at specified check-points and worked on the finalising of the panchalo:hadeities.

For Inauguration Details – visit www.divyasaketham.org[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”4.9.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_text _builder_version=”4.9.3″ _module_preset=”default”]

– Update from
Chief Architect, DNV Prasad Sthapathy and team

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17 ^th May 2021 – Photos

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28 ^th June 2021 – Photos

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Science of Spiritual Sculpting

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At some point in life, everyone realizes that there is more to life than what is visible at the surface. There is something very powerful that is governing the entire existence: all the species, nature, and the underlying life. Theists refer to that unique divine power as God. Vedas reveal that the supreme power, God is beautifully accessible as a Deity.

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Who is eligible to sculpt a Deity?

Vedic scriptures through a:gamas and silpa sa:stra prescribed the process of deity sculpting and worship. The sa:stras also declared that God is equally accessible to even a child who builds a deity with clay and seeks Him with love. The act of love is the first underlying foundation for worship and deity sculpting.

When it comes to temples, the first step defined in the sa:stra for deity sculpting is to procure the right type of stone (sila: sangrahanam). Purusha sila is the right type of stone for sculpting the Deity. A purusha sila is one that produces the divine sound of o:m when hammered.

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An acharya sanctifies the entire process of deity sculpting through a prayer seeking forgiveness from God for having to use tools on a part (the procured stone) of His universal form of the body. He then requests God to bestow all the required strength and abilities to the sculptor so that he can bring out God in a beautiful perceivable form.

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As part of this process, acharya inaugurates the sculpting routine Himself by hammering onto the stone five times on the e:sha:nya mu:la, the north-east section of the procured stone.

On the 13th of September 2020, HH Chinna Jeeyar Swamiji inaugurated the sculpting of mu:la mu:rthi, the 11 prime deities of:

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[icon name=”hand-o-right” class=”” unprefixed_class=””] Naimisa:ranyam
[icon name=”hand-o-right” class=”” unprefixed_class=””] Thiru urayu:r
[icon name=”hand-o-right” class=”” unprefixed_class=””] Thiruvalandu:r
[icon name=”hand-o-right” class=”” unprefixed_class=””] Sempansai Koyil

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Swamiji also examined the other sections of work, shared feedback and suggestions on:

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[icon name=”hand-o-right” class=”” unprefixed_class=””] the monumental entrance towers of all 108 divya desam temples,
[icon name=”hand-o-right” class=”” unprefixed_class=””] the flooring and the handrails of the divya desa mantapam (the corridor encompassing the 108 centres of inspiration)
[icon name=”hand-o-right” class=”” unprefixed_class=””] the final touches of all completed sections

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Swamiji enquired about the well-being of the entire team and blessed them with energy to deliver the divine tasks in their hand. Statue of Equality is an extremely vibrant, and enriching center that will soon gift the truths of existence and ways to explore Vedic wisdom to all the seekers. Such wisdom through the acharya’s grace can enable everyone to sculpt a better world together!

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– Update from Chief Architect
– DNV Prasad Sthapathy and team
– 21 st September 2020

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Artisans in Action

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The magnificent statue of Sri Ramanuja and the 108 divya desams are taking a beautiful shape at JIVA premises in Telangana. Sri Chinna Jeeyar Swamiji’s divine wish to spread the ancient Vedic wisdom as propagated by Jagadacharya, Sri Bhagavad Ramanuja can be seen through each and every inch of the structure. People say beauty with brains is a rare but desired combination. This unique structure not only encompasses the most beautiful architectural and sculpting elements but also carries the essence of Vedas using technological aids while not compromising on the authenticity of wisdom.

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Carved by expert sculptures from all over India and the world, the statue – Samatha Murthi (The statue of Equality) ‘sits’ tall in all splendor at JIVA.

The construction of the entire Samatha Murthi center is progressing at a steady pace. The normal monsoon season has set in. But the rains have not hindered the work.

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Sriman Jupalli Rameshwara Rao Garu has been conducting a weekly evaluation for the sculptors and the contractors, to encourage them in their efforts. He has been also checking on their health conditions regularly. The workers who have been hesitating to step out of their homes due to the world-pandemic situation have started to come for work upon being given full assurance about their health & welfare.

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Discussions regarding all the internal phases of the project, like the electricity, plumbing, air conditioning, landscape, and other mechanical works have taken place in the 2nd week of Aug 2020 – headed by Sri Ramesh Mantha.

A few important enhancements are made to some of the plans that have been implemented in the past 2-3 years, as devised originally by Sri Swamiji.

The idea was to make use of the latest technologies in a few places, without disturbing the greatness and purity of the concept of “Sri Ramanuja Sahasra:bdhi” project. A very thorough review of the M.E.P plans was prepared by the team. Sri Rameshwara Rao approved all the suggestions and gave swift instructions to the ‘project supervising committee’ to start the work with immediate effect.

The construction of two model shrines are in full swing. A lot of work has gained ground in the building of “sa:laha:ra”, ornamental parapet layer, on the top of divyadesa mandapams, along with “ceiling flowers” inside the divyadesa mandapams.

The surrounding area of the mandapams are being elevated with black marble railings. An order has been placed for two types of floor granites for the temples, while the flooring and plumbing work is making headway.

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– Update from Chief Architect, Sriman DNV Prasad Sthapathy Ji, and team
– 22 nd August 2020

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Twelve Key Guidelines for Team SOE

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Statue of Equality, the most awaited project in the world is stepping into a fast-track mode with twelve key action items for Team SOE from Chief Advisor, Sriman Jupally Rameshwar Rao Garu.

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[icon name=”hand-o-right” class=”” unprefixed_class=””] Construction of the 18-feet Garuda and the 18-feet Hanuman Deities at the main entrance will begin immediately
[icon name=”hand-o-right” class=”” unprefixed_class=””] Research and secure an exquisite single stone for the 50-feet grand Jaya Sthambham, the pillar of victory
[icon name=”hand-o-right” class=”” unprefixed_class=””] Invite all the sculptors back to the premises and begin to complete the Vimana gopurams (the ornamental tower on the Garbhalaya) of the remaining 54 temples
[icon name=”hand-o-right” class=”” unprefixed_class=””] The intricate and authentic sculpting of the mu:la mu:rthi and utsava mu:rthi, the deities of glory in 108 centres of inspiration will resume in full potential. All necessary work-sheds, accommodation, healthy food, and all other amenities will be arranged for the sculptors at the premises

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[icon name=”hand-o-right” class=”” unprefixed_class=””] The architect team is instructed to take care of all ARTISANS paying keen attention to their comfort, needs and supplies
[icon name=”hand-o-right” class=”” unprefixed_class=””] All flooring work and remaining incomplete tasks in the grand hall of 108 centres of inspiration must begin within one week
[icon name=”hand-o-right” class=”” unprefixed_class=””] Two Divya Desams, centres of inspiration, must get fully ready for approval from Swamiji asap
[icon name=”hand-o-right” class=”” unprefixed_class=””] Every single member of the work-force who was part of the SOE team prior to the covid-19 situation is invited to come back. All the necessary arrangements for their safety, accommodation will be taken care of at the premises. All the members felt excited and energized to hear the news

[icon name=”hand-o-right” class=”” unprefixed_class=””] Leads are asked to provide list of all work that is yet to be placed for orders by next week for review and action
[icon name=”hand-o-right” class=”” unprefixed_class=””] All Yalis will need to be erected in the respective positions around the corridor of 108 divya desams asap
[icon name=”hand-o-right” class=”” unprefixed_class=””] Team are asked to prepare for the secure functioning of already erected Yalis
[icon name=”hand-o-right” class=”” unprefixed_class=””] All the 81 grand doors of divya desams will need to be fixed asap so that the completed elements are all in their respective areas ready for approval

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Several key personnel and leads attended the meeting held at the SOE site. The list includes and not limited to Senior president Sriman Kodali Jagadeesh Ji, Chief Architect Prasad Sthapathy Ji, Civil works head Sriman Rushi Rao Ji, Engineers Sriman Uday Bhaskar and Sriman Venkat Kiran Ji, Deputy architects Sriman G. Shiva Krishna Ji and U. Purushottam Ji, A. Mohanachari Ji.

Sriman Suryanarayana Ji, Sriman Krishna Ji and Sriman Gopi Krishnamacharya Ji attended the meeting to ensure all ends are covered to begin action on the mission.

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– Update from Chief Architect
– Sriman Prasad Sthapathy ji
– 04 th August 2020

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Speaking about Ayodhya Ram Mandir Sri Chinna Jeeyar Swamiji said, “The virus is trying to take away the greedy nature in people by limiting everyone to only needs. It is also paving way to bring in what is also essential for a beautiful future, the inspirational Sri Rama Mandir at Ayodhya.”

The Statue of Equality, Ramanujacharya is yet another exceptionally designed authentic inspirational centre that will align people of all ideologies to raise above every difference and enjoy the bliss of universal oneness.

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Construction Resumes with Caution after Covid-19 Lockdown

Statue of Equality is the world’s most intriguing and valuable structure. This is evident, especially in the current situation. We are witnessing racial discrimination and experiencing disputes over territories despite having to deal with severe illness and deaths from the COVID-19 pandemic.

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When everyone understands that all are equal in the eyes of God, one will not feel superior over another based-on colour. One nation will not want dominance over another by occupying existing territory borders. The root cause for any kind of dispute or difference is the desire to dominate. When God is the only supreme power and the rest of all are siblings, will one nation suppress another? Will one sect dominate another? No!

Let’s all give this message boldly to the entire world, and for the future generations. This is the message that Ramanujacharya shared and practiced with everyone 1000 years ago and will stand as inspiration forever.

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The construction of this magnificent structure resumed with caution taking care of covid-19 related precautionary measures for the work-force.

Here’s a quick update on the progress:

33 artisans from Rajasthan, 44 artisans from Tamil Nadu, and 64 construction workers stayed at the site with proper shelter and food during the lock down time. They resumed working in respective areas
Artisan team in Tirumala resumed deity sculpting work of Divya Desam temples
The design team of five-metal deity (utsava murthi) are ‘working from home’ to complete the design
The pillar work of Divya Desams resumed at Jaipur, Rajasthan
The entrance door work for Divya Desams resumes at Mount Abu, Rajasthan
388 pillars are ready, out of which 364 are erected
Electrical conducting work in progress
Manufacturing of main doors are completed, waiting for flooring to be complete to fix the doors
Out of the 108 + 1 Centres of Inspiration, the Divya Desams temples
– Stone work is completed for all the Divya Desams
– RCC slabs work completed for 85 Divya Desams
– The monumental entrance tower, Gopuram is completed for 55 Divya Desams

Click Here For More Photos

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The Sacred Five-Metal Alloy (pancha-loha) Deity-Making Begins

Our actions reflect ‘who’ we are in terms of identity. Our dressing reflects ‘what’ we are in terms of our choices and beliefs. Our words reflect ‘where’ we are in terms of mental maturity. What about for the Deities of God in temples? What is the significance of the way Deities are sculpted or dressed up?

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Swamiji advised beautiful broad forehead, wide lotus petal shaped eyes, lovely smile, attractive thin waistline for the pancha loha murthis (five-metal alloy based Deities). Each of those structural attributes reflect a beautiful quality of God. For example: beautiful broad forehead reflects wealth of wisdom. Wide lotus petal shaped eyes reflect grace and compassion. Lovely smile reflects God’s joyous nature (aanandam). Attractive thin waistline reflects how upper body (knowledge) and lower body (karma – action) are joined together with rightly matured sense of detached ownership (vairgyam).

Generally, we enhance our beauty with an ornament. Example: gorgeous ear rings for women to enhance the beauty of cheeks! Or a wrist-band for men to enhance the strength and beauty of a wrist. It is the other way around for a Deity. The beauty of an ornament is enhanced when it is used on the Deity.

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Swamiji approved the Deity making for 8 Divya Desams with such guidance (not only in sculpting the physical form but the devotion that must go into the work) for the team of architects.

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header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength=”header_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length=”header_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length=”header_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength=”header_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length=”header_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length=”header_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength=”header_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” z_index_tablet=”500″]

Thiruvananthapuram
Thiruvan Parisaram
Thirukkannamangai
Alwar Thirunagari
Thirukkannapuram
Thirukkannangudi
Thiruppiritti
Paramapadanaadan

[/et_pb_text][/et_pb_column][et_pb_column type=”1_3″][/et_pb_column][/et_pb_row][et_pb_row _builder_version=”3.24.1″ custom_margin=”-40px|||” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” z_index_tablet=”500″][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.24.1″ src=”https://divyadesams.org/wp-content/uploads/2019/08/The-Sacred-Five-Metal-Alloy-Deity-Making-Begin-Acharya.jpg” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” z_index_tablet=”500″ /][/et_pb_column][et_pb_column type=”1_3″][et_pb_image _builder_version=”3.24.1″ src=”https://divyadesams.org/wp-content/uploads/2019/08/The-Sacred-Five-Metal-Alloy-pancha-loha-Deity-Making-Begins-Acharya-HH-Chinna-Jeeyar-Swamiji.jpg” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” 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header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength=”header_2_text_shadow_style,%91object Object%93″ header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length=”header_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length=”header_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength=”header_3_text_shadow_style,%91object Object%93″ header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length=”header_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length=”header_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength=”header_4_text_shadow_style,%91object Object%93″ header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length=”header_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length=”header_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength=”header_5_text_shadow_style,%91object Object%93″ header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length=”header_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length=”header_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength=”header_6_text_shadow_style,%91object Object%93″ header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px” z_index_tablet=”500″]

-From Chief Architect, Sriman Prasad Garu
-29th July 2019

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God as Deity, in the eyes of Acharya

Sri Chinna Jeeyar Swamiji reviewed the carving of each Deity of the 108 Divya Desams. The architect team have taken the feedback from Swamiji and are incorporating them.

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The team said, “Whenever Swamiji gives us any feedback, it not only improves our work at physical level, but it also transforms the attitude with which we do our work. The respect we have towards our duty multiplies because Swamiji appreciates the work and provides feedback in multiple levels – the external structure, the innate constitution and the resulting values for the world.

The presiding Deities of the 108 Divya Desams have inspired Ramanujacharya to lead a life that stood as an example for not one generation, but also past and future generations!

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Here’s a brief update on the progress of the construction:

The stone work of the innermost shrine (garbha gudi) of the 96 of the 108 Divya Desams is complete. The respective vima:na go:pura:s are under construction.
The carving of the presiding Deities of these temples has begun and is progressing well. Carefully chosen stone from the near by places of Kanchipuram is used for the Deities. The stone produces ghantanadam when beaten, and that is why the stone is called purusha sila. This is the best type of stone that can be used in the making of a Deity.
Sri Swamiji has been carefully examining the form and structure of the Deities with utmost attention since the beginning. Swamiji also tested and approved the steps leading to the innermost shrine.
Swamiji also played the role of an artisan and tried out the machinery and the way it works. The artisan team was amazed and were energised by Swamiji’s presence.

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Update from the Chief Architect, Sriman Prasadji
20th July 2019

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Science of the Inner Sanctum of a Temple!

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Imagine stepping in and walking closer and closer to the inner sanctum of an authentic temple, it gives a very peaceful, energising and pious feel, doesn’t it?

Imagine 108 such temples (Divya Desams, Centres of Inspiration), each one depicting rich history, vibrant form, and great qualities of the Lord sung by devotees – all at one place!

Here are some fascinating updates on the inner sanctum of the temples!

→ 108 Shrines will have the look of golden texture and the Sanctum will be based on stone work.

→ 70 of them have stone carving work in progress and 41 of them have progressed with inner sanctum work as well.

→ 5 Divya Desams have roof stone work of the inner sanctums in progress!
The roof stone work of an inner sanctum comprises of three sections:

Stones are cut and shaped in triangles.
The four corners are fixed with these triangular stones in the first round, it’s called ‘kona vattamu’.
Second round of setting these stones is called ‘chadura vattamu’, and fills the area between the corners.
Third round of setting these stones closes the top of the shrine, these stones are called ‘bramha silalu’

Sri Chinna Jeeyar Swamiji witnessed the laying of the ‘bramha silalu’(third set of stones) for Thirukkovalur temple. HH offered His blessings for the place such that it serves the purpose of inspiring and educating people with the right path to live and liberate themselves from hardships. HH also respectfully greeted and honoured the architects and all the team involved in this exquisite, intricate and divine effort!

How fortunate are we to welcome 108 Centres of Inspiration in Bhagyanagaram (Hyderabad), Bharath (India)!

Sri Chinna Jeeyar Swamiji never ever compromises on the right way to execute a task. HH always works towards preserving the authenticity of any structure that reflects history, including the temple of Tirumala! Under the able guidance of such great acharya, we will soon witness these 108 Divya Desams commemorating the millennium birth year of Ramanujacharya!

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Visit Statue of Equality, today.

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