Adi Kesava Swami

With guidance and blessings of HH Chinna Jeeyar Swami, the divine 10.5 feet long and 6 feet high reclining deity of A:di Ke:sava Swa:mi is positioned at the Thiruvattu:r divya de:sa temple in the Statue of Equality premises. This is an important milestone in the making of the Statue of Equality.

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Most of us are familiar with Sri Anantha Padmanabha Swami of Thiruvananthapuram. A:diKe:sava Swami of Thiruvattu:r and Sri Anantha Padmanabha Swami are both reclining deities giving a blessed view of Lord in a majestic posture visible through three separate doors

one with a view to the thirumukham, the pleasant face
second with a view to the central thirume:ni
the third one with a view to the sri pa:damulu, the divine feet.

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Each of the 108 divya de:sas instilled in Ramanujacharya the fundamental truths of life and inspired the acharya to share the wisdom compassionately with everyone.

Statue of Equality will soon showcase to the world the ultimate power and potency of Vedic wisdom that prescribes righteous practices for a happy and peaceful world.

Here’s a glance at the construction progress of 108 centers of inspiration, the divya de:sams:

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98% of the 108 divya de:sa temples is complete
Flooring work is in progress using a chisel to shape the tiles so as to resemble traditional temples
High-quality carved doors made of teak are being fixed
Purusha Silas, premium stones used to make the deities have been procured from Kanchipuram
A 30-member sculptor team hailing from Mahabalipuram, Kanchipuram, Allagadda, Thirupathi, and Bhubaneswar reached Statue of Equality premises to complete the sculpting of the main deities

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We appreciate the tremendous interest shown by lakhs of people in the making of Statue of Equality that will stand as the pride of human race for as long as the Sun and the Moon shine on the face of the Earth.

– Update from Chief Architect, DNV Prasad Sthapathy and team
– Consecration event on March 13^th, 2021

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How is this important to me or the society?

Imagine a house filled with family members whose conduct is directionless. They are on their own doing what they think is right. However, there is one elderly person who knows that such behavior is harmful. Is it important for the family to listen to the elderly person?

Vedic wisdom from a bonafide Acharya is the direction that we all need today. Thus, this inspiration center is important to everyone who wishes the well-being of themselves, society, nature, and every single species on the earth.

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It’s not just the building that makes a hospital, it is the good doctors and staff who make it useful.
It’s not just the building that makes a school, it is the good teachers and staff who make it useful.
It’s not just the building that makes a government office, it is the good policymakers who make it useful.

Through this inspirational center, we will be able to build the highest sense of morality in aspirant individuals.

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Why Statue of Equality

[et_pb_section fb_built=”1″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_row _builder_version=”4.9.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_text admin_label=”ques” _builder_version=”4.9.3″ _module_preset=”default” text_font=”Aclonica|700|||||||” text_font_size=”22px”]The oft asked questions these days are …. Why a Statue of Ra:ma:nuja:charya? Why call it the Statue of Equality?[/et_pb_text][/et_pb_column][/et_pb_row][et_pb_row column_structure=”2_3,1_3″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_column type=”2_3″ _builder_version=”4.9.3″ _module_preset=”default”][et_pb_text _builder_version=”4.9.3″ text_font=”Roboto Condensed||||||||” text_font_size=”19px” z_index_tablet=”500″ text_text_shadow_style=”preset3″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px”]

The simplest answer would be…. It was the vision of H.H.Chinna Jeeyar Swamiji. If the vision is so magnificent, imagine the personality that inspired the vision….. awe inspiring, to put it mildly. The Statue exudes the persona of Ra:ma:nu:jacha:rya ….

always calm, but ready for action…
an observer, but a social reformer….
a spiritual leader, but a revolutionary….
a constant inspiration, in his lifetime and also across the span of Time.

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Born in 1017,at Sriperumbudur, Ra:ma:nu:jacha:rya travelled across Bharat, understanding the way of life of all sections, at the same time, focusing on individual needs.

For the welfare and well-being of all, Ra:ma:nu:jacha:rya presented the essence of Vedas in the form of 9 scriptures. The purity of his own heart, enabled him to convince his mentors, rulers, bureaucrats, elite and common man to tread the path of Bhakthi, divine love.

Sri Ra:ma:nu:jacha:rya, the torch bearer of Vaishnavism, was a preceptor of the Bhakthi movement. He dispelled the Mayavada concept that the world is illusionary and also cleared many misconceptions.

He was the source for all other Bhakthi branches of thought. Having dived into the depths of Ra:ma:nu:jacha:rya’s ocean of Vaishnav devotion for Lord Vishnu, Kabir, Meerabai, Annama:cha:rya, Ramda:s, Thya:gara:ja and many others evolved as mystic poets.

[/et_pb_text][et_pb_text admin_label=”quest” _builder_version=”4.9.3″ _module_preset=”default” text_font=”Aclonica|700|||||||” text_font_size=”22px”]But why Statue of Equality?[/et_pb_text][et_pb_text _builder_version=”4.9.3″ text_font=”Roboto Condensed||||||||” text_font_size=”18px” header_font=”Aclonica||||||||” header_font_size=”22px” header_2_font=”Roboto Condensed||||||||” z_index_tablet=”500″ text_text_shadow_style=”preset3″ text_text_shadow_horizontal_length_tablet=”0px” text_text_shadow_vertical_length_tablet=”0px” text_text_shadow_blur_strength_tablet=”1px” link_text_shadow_horizontal_length_tablet=”0px” link_text_shadow_vertical_length_tablet=”0px” link_text_shadow_blur_strength_tablet=”1px” ul_text_shadow_horizontal_length_tablet=”0px” ul_text_shadow_vertical_length_tablet=”0px” ul_text_shadow_blur_strength_tablet=”1px” ol_text_shadow_horizontal_length_tablet=”0px” ol_text_shadow_vertical_length_tablet=”0px” ol_text_shadow_blur_strength_tablet=”1px” quote_text_shadow_horizontal_length_tablet=”0px” quote_text_shadow_vertical_length_tablet=”0px” quote_text_shadow_blur_strength_tablet=”1px” header_text_shadow_style=”preset3″ header_text_shadow_color=”#eee8aa” header_text_shadow_horizontal_length_tablet=”0px” header_text_shadow_vertical_length_tablet=”0px” header_text_shadow_blur_strength_tablet=”1px” header_2_text_shadow_style=”preset3″ header_2_text_shadow_horizontal_length_tablet=”0px” header_2_text_shadow_vertical_length_tablet=”0px” header_2_text_shadow_blur_strength_tablet=”1px” header_3_text_shadow_horizontal_length_tablet=”0px” header_3_text_shadow_vertical_length_tablet=”0px” header_3_text_shadow_blur_strength_tablet=”1px” header_4_text_shadow_horizontal_length_tablet=”0px” header_4_text_shadow_vertical_length_tablet=”0px” header_4_text_shadow_blur_strength_tablet=”1px” header_5_text_shadow_horizontal_length_tablet=”0px” header_5_text_shadow_vertical_length_tablet=”0px” header_5_text_shadow_blur_strength_tablet=”1px” header_6_text_shadow_horizontal_length_tablet=”0px” header_6_text_shadow_vertical_length_tablet=”0px” header_6_text_shadow_blur_strength_tablet=”1px” box_shadow_horizontal_tablet=”0px” box_shadow_vertical_tablet=”0px” box_shadow_blur_tablet=”40px” box_shadow_spread_tablet=”0px”]

Read on to understand why Ra:ma:nu:jacha:rya is referred to as an icon of Equality.

Equality Across Religions: The daughter of the then Sultan of Delhi, was intensely attached to the deity of Sampath Kumar Perumal, who had been lifted by Mughal rulers from Melkote and gifted to the Sultan. When the deity chose to return to Melkote with Ra:ma:nu:jacha:rya, she missed Him so much that she had to travel to Melkote. On seeing the deity, the thought of separation once again, led to her passing away on the spot. Ra:ma:nu:jacha:rya drew an analogy with Goda Devi, who united with Lord Ranganatha in a similar fashion. The muslim Sulthan’s daughter was named ‘Bibi Nachiyar” and her statue was installed and worshipped in the precincts of the temple.

Equality Across Castes: The world identifies Bharat with casteism, not realizing that it began as a division based on vocations. It’s unfortunate that untouchability burst forth as an issue.

In the times of Ra:ma:nu:jacha:rya, temples were the centres of administration, under the control of one section of society, one particular caste. Ra:ma:nu:jacha:rya, encouraged inclusiveness by allotting 50% of tasks to persons belonging to the rest of the castes. That’s the reason, from then on, there are no restrictions based on caste, to enter temples.

However the relapse of casteism occurred during the foreign rules in Bharath. Caste was used as a ploy to divide and rule.
Over the 75 years of independence, casteism has been made into a cancerous growth in Indian society. The very purpose of The Statue Of Equality is to provide a panacea for it. Let the rulers and society be inspired.

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Leaving all that aside, let’s see how Ra:ma:nu:jacha:rya ensured equality among all castes:

He shared the Mantra with everyone – irrespective of the caste. The only qualification he wanted was their being devoted and eager to learn.
He made sure that people from all castes had a role to play in the upkeep of temples, the sources of inspiration. Note that temples were the hub of knowledge, employment and culture, in those days … they were the universities, shopping centres, meeting points.

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Equality Across Social Status: One experiences happiness when a group of like minded people, come together to ‘party’. Well, food is prominent when partying, isn’t it? In short, having food with someone indicates how close you are, and sharing food shows an even closer relationship. And guess what, eating someone else’s leftover food, infers that you treat the other person as an equal. Ra:ma:nu:jacha:rya was born in a brahmin family, but he was desirous of having the leftover food of a great devotee from Ka:nchi, called Ka:nchi:pu:rna, though he was from a lower social status. He said, social status is not a barrier when you truly enjoy and cherish the companionship of people with a common goal.

He gave importance, at par with the Vedas, to the songs sung by a:lwars about the glory of the Divya Desams. Some of these a:lwars were of the lower castes, but their songs were made mandatory in the temples.

In his old age, Ra:ma:nu:jacha:rya, while going for a bath to River Ka:ve:ri, would take the support of a bramhin scholar Da:saradhi. However, while returning he used to lean on the shoulder of Dhanurda:s, a low caste by birth. This talks volumes about the importance he gave to devotion over physical status by birth.

Equality Across Gender: There was a time, women were not even allowed to pray, chant God’s name!!!! Unimaginable, but true! They were not taught scriptures, rituals , slo:kas . We are talking about 1000+ years ago, the time when scriptures were the primary source of education in Vedic culture. Girls were denied this! Can you believe that males did not learn in front of the females so as to keep the knowledge secret!!! Today, though women have broken through many glass ceilings, we are still talking about gender equality.

Ra:ma:nu:jacha:rya showed his concern for women in those tough days and opened learning channels for women . This is 1000+ years ago…… I bet there was no social media to create a commotion… it was a single A:cha:rya who sensed the need to educate all, so that everyone could experience knowledge… irrespective of their gender.

Ra:ma:nu:jacha:rya is that gigantic reservoir from which, all present day schools of thought that advocate Equality, have flowed out as creeks, rivulets and tributaries. This is a historical fact.

It’s been over a thousand years that this divine personality sanctified the earth by his presence. The world is advocating his ideology, without giving credit to him. His name remains in the shadows. So, the magical essence is missing and values are disappearing in society.

Invisible, but invincible, walls have been built, dividing society. Equality has become just another name. The need of the hour is the effulgence of Sri Ra:ma:nu:ja’s ideology.

His form and his word can inspire society. What better time to experience this inspiration, than the millennium of his birth!

That is why the Statue Of Equality has emerged. Let the Statue reverberate within you, echoes of Equality. Let these echoes become a yearning for Equality. Let this yearning get translated into actions leading to Equality.

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18-Foot-High Garuda and Hanuman

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Sri Chinna Jeeyar Swamiji inaugurated the sculpting of 18-foot-high Garuda and Hanuma at the divine Statue of Equality premises. On the either sides of the entrance tower, these divine 18-foot-high Garuda and Hanuma will soon stand in pride and honour of the magnificent inside!

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The process began by sanctifying the acquired stone with holy water and other elements of mother nature. Swamiji then offered His prayers and ha:rathi to Garuda and Hanuman. Swamiji Himself marked the thilak on the forehead of the sila, the specially selected stone to carve the statue of Garuda and Hanuman. He took the chisel and hammer and started to carve.

Swamiji spoke to the team of sculptors and shared/advised/guided on the work ahead.

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This milestone event took place on the same day, the punarvasu of a:shwayuja month in the current year, sa:rvari when thousands of people across the world along with Swamiji began chanting Sri Ramayanam.

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A sculptor takes away unwanted parts of a stone to carve a desired shape, an acharya carves out unwanted “elements” from his students/disciples to bring out their natural beautiful state.

A sculptor’s tools are his chisel, hammer etc.

What do you think an acharya’s tools are?

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– Update from Chief Architect
– DNV Prasad Sthapathy and team
– 6th November 2020

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Science of Spiritual Sculpting

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At some point in life, everyone realizes that there is more to life than what is visible at the surface. There is something very powerful that is governing the entire existence: all the species, nature, and the underlying life. Theists refer to that unique divine power as God. Vedas reveal that the supreme power, God is beautifully accessible as a Deity.

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Who is eligible to sculpt a Deity?

Vedic scriptures through a:gamas and silpa sa:stra prescribed the process of deity sculpting and worship. The sa:stras also declared that God is equally accessible to even a child who builds a deity with clay and seeks Him with love. The act of love is the first underlying foundation for worship and deity sculpting.

When it comes to temples, the first step defined in the sa:stra for deity sculpting is to procure the right type of stone (sila: sangrahanam). Purusha sila is the right type of stone for sculpting the Deity. A purusha sila is one that produces the divine sound of o:m when hammered.

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An acharya sanctifies the entire process of deity sculpting through a prayer seeking forgiveness from God for having to use tools on a part (the procured stone) of His universal form of the body. He then requests God to bestow all the required strength and abilities to the sculptor so that he can bring out God in a beautiful perceivable form.

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As part of this process, acharya inaugurates the sculpting routine Himself by hammering onto the stone five times on the e:sha:nya mu:la, the north-east section of the procured stone.

On the 13th of September 2020, HH Chinna Jeeyar Swamiji inaugurated the sculpting of mu:la mu:rthi, the 11 prime deities of:

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[icon name=”hand-o-right” class=”” unprefixed_class=””] Naimisa:ranyam
[icon name=”hand-o-right” class=”” unprefixed_class=””] Thiru urayu:r
[icon name=”hand-o-right” class=”” unprefixed_class=””] Thiruvalandu:r
[icon name=”hand-o-right” class=”” unprefixed_class=””] Sempansai Koyil

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Swamiji also examined the other sections of work, shared feedback and suggestions on:

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[icon name=”hand-o-right” class=”” unprefixed_class=””] the monumental entrance towers of all 108 divya desam temples,
[icon name=”hand-o-right” class=”” unprefixed_class=””] the flooring and the handrails of the divya desa mantapam (the corridor encompassing the 108 centres of inspiration)
[icon name=”hand-o-right” class=”” unprefixed_class=””] the final touches of all completed sections

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Swamiji enquired about the well-being of the entire team and blessed them with energy to deliver the divine tasks in their hand. Statue of Equality is an extremely vibrant, and enriching center that will soon gift the truths of existence and ways to explore Vedic wisdom to all the seekers. Such wisdom through the acharya’s grace can enable everyone to sculpt a better world together!

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– Update from Chief Architect
– DNV Prasad Sthapathy and team
– 21 st September 2020

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Artisans in Action

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The magnificent statue of Sri Ramanuja and the 108 divya desams are taking a beautiful shape at JIVA premises in Telangana. Sri Chinna Jeeyar Swamiji’s divine wish to spread the ancient Vedic wisdom as propagated by Jagadacharya, Sri Bhagavad Ramanuja can be seen through each and every inch of the structure. People say beauty with brains is a rare but desired combination. This unique structure not only encompasses the most beautiful architectural and sculpting elements but also carries the essence of Vedas using technological aids while not compromising on the authenticity of wisdom.

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Carved by expert sculptures from all over India and the world, the statue – Samatha Murthi (The statue of Equality) ‘sits’ tall in all splendor at JIVA.

The construction of the entire Samatha Murthi center is progressing at a steady pace. The normal monsoon season has set in. But the rains have not hindered the work.

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Sriman Jupalli Rameshwara Rao Garu has been conducting a weekly evaluation for the sculptors and the contractors, to encourage them in their efforts. He has been also checking on their health conditions regularly. The workers who have been hesitating to step out of their homes due to the world-pandemic situation have started to come for work upon being given full assurance about their health & welfare.

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Discussions regarding all the internal phases of the project, like the electricity, plumbing, air conditioning, landscape, and other mechanical works have taken place in the 2nd week of Aug 2020 – headed by Sri Ramesh Mantha.

A few important enhancements are made to some of the plans that have been implemented in the past 2-3 years, as devised originally by Sri Swamiji.

The idea was to make use of the latest technologies in a few places, without disturbing the greatness and purity of the concept of “Sri Ramanuja Sahasra:bdhi” project. A very thorough review of the M.E.P plans was prepared by the team. Sri Rameshwara Rao approved all the suggestions and gave swift instructions to the ‘project supervising committee’ to start the work with immediate effect.

The construction of two model shrines are in full swing. A lot of work has gained ground in the building of “sa:laha:ra”, ornamental parapet layer, on the top of divyadesa mandapams, along with “ceiling flowers” inside the divyadesa mandapams.

The surrounding area of the mandapams are being elevated with black marble railings. An order has been placed for two types of floor granites for the temples, while the flooring and plumbing work is making headway.

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– Update from Chief Architect, Sriman DNV Prasad Sthapathy Ji, and team
– 22 nd August 2020

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Twelve Key Guidelines for Team SOE

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Statue of Equality, the most awaited project in the world is stepping into a fast-track mode with twelve key action items for Team SOE from Chief Advisor, Sriman Jupally Rameshwar Rao Garu.

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[icon name=”hand-o-right” class=”” unprefixed_class=””] Construction of the 18-feet Garuda and the 18-feet Hanuman Deities at the main entrance will begin immediately
[icon name=”hand-o-right” class=”” unprefixed_class=””] Research and secure an exquisite single stone for the 50-feet grand Jaya Sthambham, the pillar of victory
[icon name=”hand-o-right” class=”” unprefixed_class=””] Invite all the sculptors back to the premises and begin to complete the Vimana gopurams (the ornamental tower on the Garbhalaya) of the remaining 54 temples
[icon name=”hand-o-right” class=”” unprefixed_class=””] The intricate and authentic sculpting of the mu:la mu:rthi and utsava mu:rthi, the deities of glory in 108 centres of inspiration will resume in full potential. All necessary work-sheds, accommodation, healthy food, and all other amenities will be arranged for the sculptors at the premises

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[icon name=”hand-o-right” class=”” unprefixed_class=””] The architect team is instructed to take care of all ARTISANS paying keen attention to their comfort, needs and supplies
[icon name=”hand-o-right” class=”” unprefixed_class=””] All flooring work and remaining incomplete tasks in the grand hall of 108 centres of inspiration must begin within one week
[icon name=”hand-o-right” class=”” unprefixed_class=””] Two Divya Desams, centres of inspiration, must get fully ready for approval from Swamiji asap
[icon name=”hand-o-right” class=”” unprefixed_class=””] Every single member of the work-force who was part of the SOE team prior to the covid-19 situation is invited to come back. All the necessary arrangements for their safety, accommodation will be taken care of at the premises. All the members felt excited and energized to hear the news

[icon name=”hand-o-right” class=”” unprefixed_class=””] Leads are asked to provide list of all work that is yet to be placed for orders by next week for review and action
[icon name=”hand-o-right” class=”” unprefixed_class=””] All Yalis will need to be erected in the respective positions around the corridor of 108 divya desams asap
[icon name=”hand-o-right” class=”” unprefixed_class=””] Team are asked to prepare for the secure functioning of already erected Yalis
[icon name=”hand-o-right” class=”” unprefixed_class=””] All the 81 grand doors of divya desams will need to be fixed asap so that the completed elements are all in their respective areas ready for approval

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Several key personnel and leads attended the meeting held at the SOE site. The list includes and not limited to Senior president Sriman Kodali Jagadeesh Ji, Chief Architect Prasad Sthapathy Ji, Civil works head Sriman Rushi Rao Ji, Engineers Sriman Uday Bhaskar and Sriman Venkat Kiran Ji, Deputy architects Sriman G. Shiva Krishna Ji and U. Purushottam Ji, A. Mohanachari Ji.

Sriman Suryanarayana Ji, Sriman Krishna Ji and Sriman Gopi Krishnamacharya Ji attended the meeting to ensure all ends are covered to begin action on the mission.

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– Update from Chief Architect
– Sriman Prasad Sthapathy ji
– 04 th August 2020

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Speaking about Ayodhya Ram Mandir Sri Chinna Jeeyar Swamiji said, “The virus is trying to take away the greedy nature in people by limiting everyone to only needs. It is also paving way to bring in what is also essential for a beautiful future, the inspirational Sri Rama Mandir at Ayodhya.”

The Statue of Equality, Ramanujacharya is yet another exceptionally designed authentic inspirational centre that will align people of all ideologies to raise above every difference and enjoy the bliss of universal oneness.

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Construction Resumes with Caution after Covid-19 Lockdown

Statue of Equality is the world’s most intriguing and valuable structure. This is evident, especially in the current situation. We are witnessing racial discrimination and experiencing disputes over territories despite having to deal with severe illness and deaths from the COVID-19 pandemic.

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When everyone understands that all are equal in the eyes of God, one will not feel superior over another based-on colour. One nation will not want dominance over another by occupying existing territory borders. The root cause for any kind of dispute or difference is the desire to dominate. When God is the only supreme power and the rest of all are siblings, will one nation suppress another? Will one sect dominate another? No!

Let’s all give this message boldly to the entire world, and for the future generations. This is the message that Ramanujacharya shared and practiced with everyone 1000 years ago and will stand as inspiration forever.

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The construction of this magnificent structure resumed with caution taking care of covid-19 related precautionary measures for the work-force.

Here’s a quick update on the progress:

33 artisans from Rajasthan, 44 artisans from Tamil Nadu, and 64 construction workers stayed at the site with proper shelter and food during the lock down time. They resumed working in respective areas
Artisan team in Tirumala resumed deity sculpting work of Divya Desam temples
The design team of five-metal deity (utsava murthi) are ‘working from home’ to complete the design
The pillar work of Divya Desams resumed at Jaipur, Rajasthan
The entrance door work for Divya Desams resumes at Mount Abu, Rajasthan
388 pillars are ready, out of which 364 are erected
Electrical conducting work in progress
Manufacturing of main doors are completed, waiting for flooring to be complete to fix the doors
Out of the 108 + 1 Centres of Inspiration, the Divya Desams temples
– Stone work is completed for all the Divya Desams
– RCC slabs work completed for 85 Divya Desams
– The monumental entrance tower, Gopuram is completed for 55 Divya Desams

Click Here For More Photos

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Marbles and More!

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It’s been a while that we updated you on Statue of Equality. We are back with few exclusive updates from Swamiji’s visit to Statue of Equality on the 11th of Feb’2020.

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Sculpting design team will begin work on inlay patterns of Makrana marble for beautifying the first floor of Badravedi, where Golden Ramanujacharya will receive daily honours and prayers.
Instructions were passed on to the team for submitting plans with detailed drawings of design patterns with coloured stone work for the flooring.
Designs of authentic arches at the entrance of Golden Ramanujacharya will also begin to take shape in the upcoming weeks; the concept and dimensions were discussed.
Ramps, lift rooms and staircase will also be designed to contain beautiful patters of coloured marble stones.
Engineers clarified their questions about fire exit doors, AC provisions and pillar work in second floor of Badravedi.
Single stoned 18 feet Garuda and 18 feet Hanuman will give darsan to the visitors at the main entrance.
Sri Ramanuja Jaya Sthambham, a single stoned 50 feet pillar of Ramanuja’s glory, will also be laid at the site. Team discussed the details regarding this and will move forward accordingly.
The deities of 108 centres of inspiration, the divyadesams, are alreadygetting ready to adorn the 108 temples. Team will advise the sculptors to fasten the work.

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Swamiji spent time with Rameshwar Rao garu and the team of architects for more than seven hours discussing the above in detail.

– Chief Architect, Siman Prasad Daggupatiji
– 15th Jan 2020, Statue of Equality, JIVA

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Human body is a mobile temple (moving mandir) because of the presence of God within the body, keeping us active and alive. When you realise and believe in this, you will keep your body in right condition by giving it the right food, adorn with beautiful thilak, and engage in good activities etc. This is what temple architecture also signifies.

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While God exists everywhere, He makes Himself available in a temple with a form and a name. This encourages us in keeping the temple premises as clean and as beautiful as possible. At Statue of Equality,Ramanujacharya, a guru who showed us true form of God, is seated high in all glory. The 108 divya desams reflect the wisdom he shared with us.

Therefore, the entire team is working on adorning the structure with exquisite marble work, the exclusive design patterns, the beautiful carved architecture, the colourful artwork and sculpting work. Within this beautiful structure, Swamiji aims to bless the visitors with the essence of Vedic wisdom. This is what we and upcoming generations can truly benefit from, the wisdom of Vedic science as shared by the greatest guru, Sri Ramanujacharya!

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Click Here For More Photos

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168 Yalis getting ready in Hebei

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Temple architecture has great significance in India. Every element seen on the pillars and walls of the temples reflect external beauty driven by teachings from Vedic wisdom.

Artisans of Quyang, Baoding, Hebei, China are equipped with exceptional sculpting skills and modern instruments needed to create an exact representation of the Yalis.

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Makara Yali (Crocodile shaped), Simha Yali (lion-shaped), Suka Yali (parrot shaped) and Aswa Yali (horse-shaped) are the four types of Yalis which will be positioned on the pillars of Divya Desa (centers of inspiration) pavilion. There are several types of Yalis that one can notice in our ancient temples. Huge exercise was done to pick these four types. The architect team visited all the prominent ancient temples, spent time researching and learning from Vedic texts on what they meant, discussed with Sri Chinna Jeeyar Swamiji on each detail.

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3D animation drawings, followed by carving of sample figures took considerable time to get to the perfect shape envisioned. Based on the template finalized, black marble carving has begun.

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24 of such Yalis have reached the Statue of Equality site for erecting
32 of them are ready to be shipped from Hebei

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The architect team is reviewing the progress of these at regular intervals. Recently, the team visited Quyang, Baoding, Hebei, China (for about 14 days split into two visits) during the making of the 32 Yalis and suggested some minor modifications w.r.t to the finalized template.

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Under the guidance of Sri Swamiji , the Statue of Equality site will showcase 108 centers of inspiration to everyone. This will be the most important place to visit for the coming generations. It will encompass the wisdom from all the rushis and acharyas as compiled by Ramanujacharya. The backbone of every element in this magnificent attraction is the time-tested wisdom of Vedas and the beautiful ancient history of mankind.

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– Update from Chief Architect, SOE
– Sriman Prasad Ji
– 14 th October 2019

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Artisans from Kumbhakonam reach Statue Of Equality

Every day is beautiful at Statue of Equality site. There are people from different professions – Artisans, artists, sculptors, engineers, light and sound technicians, electricians, construction workers, news paper / media reporters, photographers and more working on the site! But, this is common to any construction. What is unique here is the guidance of Sri Chinna Jeeyar Swamiji. Swamiji has been reviewing the work closely to ensure the output does not deviate in any manner with the intended objective (i.e.: giving the greatest gift of Vedic philosophy to the entire human kind, as shared by Ramanujacharya).

Today, we are happy to share another quick update from the site, focusing on the artisan-teams.

We already have two artisan-teams working in Tirupati to get the pancha-loha vigrahas ready for the Divya Desams (the 108 Centres of Inspiration). Another two teams are working on main deity sculpting at the same place. Adding on to those teams, we are now working with a fifth team who hails from Darasuram near Kumbhakonam. This team began their work on pancha-loha vigrahas for the utsava murthi-s (the deity who travels around the temple during celebrations). This team is stationed at the SOE premises and are being guided by Sri Swamiji at regular intervals. The team was referred by Sriman Madhavan Swami from Thirukkoshtiyur.

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The stone structure for 104 Divya Desams is completed
The monumental tower, vimana gopura, for 24 Divya Desams is completed
Entrance doors made of teak wood for 85 Divya Desams are completed
Out of 468 Divya Desam temple porch (mantap) pillars, 350 of them are complete

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Looking at the making of SOE, it feels like entire Vedic wisdom is taking its shape here!

From the Chief Architect, SOE
– Sriman Prasad ji
– 06 ^th September 2019

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